Beaverbrook Townhouse

Launching to coincide with International Women’s Day, the entrance hall of 100 Bishopsgate in London’s Square Mile has been transformed into an immersive artistic experience with Glassed In Dreams. This striking site-specific installation, presented by Brookfield Properties in collaboration with The Association of Women in the Arts (AWITA), underscores their commitment to supporting and celebrating female creative talent.

Frieze London and its companion event, Frieze Masters, returned to their renowned location at Regent’s Park, showcasing primarily artworks produced after 2000. The galleries participating in the fair feature an exciting mix of both emerging and established artists.

Frieze Masters and its sister event, Frieze London, returned to their iconic venue at Regent’s Park, offering a unique contemporary perspective on millennia of art history. This includes collectable pieces alongside renowned masterpieces from ancient times and the Old Masters through to the late 20th century.

Time Horizon is one of Antony Gormley’s most impressive large-scale installations, exhibiting across the picturesque grounds and through the house at Houghton Hall in Norfolk.

Exhibiting at Fondamenta Santa Caterina, Venice during the city’s Biennale Arte, Daniel Arsham transports viewers from the past and present into the future, transforming artefacts and images that hold significant influence to comment on and memorialize the permanence of collective cultural memory.

For its fourth edition, the Eye of the Collector fair look over Chelsea Barrack’s Garrison Chapel in a unique showcase of collectible design. See below highlights and a short video tour from this year’s fair.

This project is a tribute to the master of kinetic art and sociologist of art at La Sorbonne with over 70 years of national and international research and artistic production defending the cultural component of art in society.

Sculptor Julien Creuzet designed the installation for the French pavilion. Deploying plastics and rope in his work, Creuzet often explores his own French-Caribbean identity. ‘His singular work and his gift for oral literature feed on creolization by bringing together a diversity of materials, stories, shapes and gestures.

With newly produced multimedia sculptures, mixed-media paintings, site-specific murals, a multichannel video installation, and an extensive exterior installation, the space in which to place me transforms the U.S. Pavilion into an embodiment of Gibson’s radically inclusive vision for the future: a space in which Indigenous art and a broad spectrum of cultural expressions and identities are central to the American experience.

Four of Daniel Arsham’s bronze sculptures are currently on display in the iconic 18th-century Formal Garden at the Yorkshire Sculpture Park. The sculptures include the Bronze Extraterrestrial Bicycle (2022), Bronze Eroded Bunny (2022), and the three-metre tall Bronze Eroded Venus of Arles (2022) – Arsham’s retelling of the ancient marble statue of Aphrodite from the 1st century BCE.