Damien Hirst – Relics and Fly Paintings, Gagosian
A major solo exhibition at Gagosian Britannia Street, where Damien Hirst presents Relics and Fly Paintings, exploring mortality, material transformation, and perception through sculpture, painting, and immersive gallery environments.
In a yearlong takeover of the Gagosian gallery's Britannia Street location, English Artist Damien Hirst launches his second exhibition titled 'Relics and Fly Paintings'. For this new iteration, the artist has clad the interior of the gallery in dark butterfly-patterned wallpaper that reproduces the kaleidoscopic presence of his 'Valley of Death (2010) painting. With an almost haunting atmosphere, the exhibition brings together a number of Hirst's bodies of work, prompting reflections on themes of darkness and death, the past and the future.
Hirst’s Relics are an exploration into death, a theme regularly displayed in many of his works. Cast in bronze, the works depict corpses, skeletons, and mummies in meticulous detail. Juxtaposing morbid realism with fantastical sources of inspiration, these bodies frozen in time emphasize the artist’s deft combinations of art, science, history, and religion. A collection of metallic Meteorites of various sizes continues Hirst’s engagement with the concept of the simulacrum and plays into the long-standing human fascination with outer space.
The monumental sculpture The Martyr – Saint Bartholomew (2019) follows the historical tradition of depicting its subject flayed alive as an écorché figure study, balancing biblical devotion with a similar reverence for the human body. While Hirst’s sculpture is a nod to this centuries-old artistic practice, the holy man’s solid stance and gleaming figure are also reminiscent of a robot or a modern anatomical model.
