Untitled Art Fair 2025: Miami’s Contemporary Art Showcase
This December, Miami’s South Beach once again became the epicentre of contemporary art as Untitled Art Fair returned for its 2025 edition. Founded in 2012, Untitled has grown into one of the most respected fairs during Miami Art Week, celebrated for its curatorial focus, thoughtful gallery presentations, and innovative solo projects. Unlike more commercial fairs, Untitled emphasises artistic integrity and discovery, providing a platform for both established and emerging voices from around the world.
This year’s fair felt especially fresh and dynamic, with galleries presenting works that ranged from sculpture and photography to painting and experimental media. The mix of solo presentations and multi-artist booths highlighted a breadth of contemporary practice, reflecting global trends while also maintaining a sense of intimacy and cohesion across the fair. Miami’s position as a leading contemporary art hub was evident in the range of artists and galleries on show, drawing collectors, curators, and art enthusiasts from across the globe.
For those seeking to explore the highlights in more detail, including standout galleries, solo presentations, and emerging trends discovered at the fair, Martyn White USA provides an in-depth look at Untitled Art Fair 2025, featuring curated selections and commentary on some of the most memorable moments of the week.
Explore the full curation and highlights from the 2025 edition of the fair over on the Martyn White USA website.
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deVOL’s Heritage Light Switches show how the smallest design details can redefine a space, blending Edwardian craftsmanship, tactile materials and timeless design to elevate everyday interiors.
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Ozanne Princen’s bronze sculptures capture the memory of movement, where ballet, femininity and form converge. A study in stillness and strength, her work reframes the body as both structure and story.
During Milan Design Week 2026, MENU transformed Chiesa Anglicana Tutti i Santi into a unified architectural narrative. Curated by Bodo Sperlein, the exhibition brought material, light, and collaboration into quiet alignment.
GUBI’s Hornbæk Portable Lamp captures the atmosphere of Denmark’s northern coastline through folded canvas, ceramic and warm diffused light, bringing the poetry of seaside living into contemporary interiors and hospitality spaces.
NYCxDesign 2026 transforms New York into a citywide design platform, spanning exhibitions, installations and collaborations that explore material, craft and spatial innovation, offering insight into where contemporary design is heading globally.
Within the reimagined entrance hall of 20 Gresham Street, monumental travertine benches bring sculpture, architecture and use into quiet alignment. Created with Bill Amberg Studio, the project explores how stone and leather can age together through time, touch and restraint.
During Milan Design Week, Nilufar quietly stepped away from spectacle to imagine something more intimate. Le Pied-à-Terre Cosmopolite unfolded as a refined Milanese retreat, where vintage icons and contemporary design formed a lived‑in narrative of cosmopolitan elegance, material intelligence, and everyday ritual.
At Milan Design Week 2026, Nilufar’s Casa Magica transformed the idea of home into a ritual space shaped by belief, symbolism, and storytelling. More introspective than spectacle‑driven, it revealed another dimension of Nilufar’s curatorial world.
At Milan Design Week 2026, Louis Vuitton transformed Palazzo Serbelloni into an immersive dialogue between heritage and contemporary collectible design, where the Objets Nomades collection unfolded alongside a monumental Pierre Legrain–inspired courtyard installation created with the Accademia di Belle Arti di Brera.
JR’s La Caverne du Pont Neuf transforms Paris’ oldest bridge into an immersive cavern, blending art, architecture and perception in a powerful exploration of material, memory and the way we experience the familiar.